"Revolver" CD by The Beatles

Appearing in the limited edition box set, including:

CD1: Revolver (2022 Stereo Mix by Giles Martin and Sam Okell)
CD2: Revolver - Sessions
CD3: Revolver - Sessions
CD4: Revolver (2022 Mono Transfer of original master tape)
CD5: Bonus EP

The 100-page hardcover book includes detailed notes on the recording sessions, an introduction by Paul McCartney, another by Giles Martin, and a special essay by Questlove. It features many photos, some of which are rarely seen, original lyrics, and tape boxes, etc.

Following the worldwide success of 'Let It Be,' Apple Corps and USM are proud to present the next multi-format reissue of The Beatles' Album 'Revolver.'

The Beatles' 7th studio Album was released on August 5, 1966, featuring the double-A-side single 'Eleanor Rigby' / 'Yellow Submarine.' The unexpected gift of a three-month break at the beginning of 1966 meant that they were ready to record their most groundbreaking Album to date in April of the same year. An Album that would redefine the way artists write and record their songs, and with the help of uniquely talented producers and engineers who wanted to help them realize their dreams, it would change the way the world viewed Albums as standalone creative works. The studio and advancing recording technology led to Revolver and the birth of a new era in Rock and pop music.

However, there was one area where technology had not advanced as quickly: multi-tracking. At that time, many instruments and vocal elements were combined or 'reduced' to only 4 tracks, which had to be divided into two tracks for stereo recording. The mono Album (from the original mono master tape), included in this box, was considered by the band and many others at the time as the primary format in which most people would listen to Revolver. It was easy to mix the 4 tracks for the final Album, but it was not as easy to achieve this in stereo. They couldn't separate the individual instruments or vocals to create an authentic stereo field. The result was always considered the best that was possible at the time, but not as good as the fans would have liked to hear.

Until now.

By using AI technology developed by Peter Jackson's Wingnut team to clearly and distinctively sound the studio scenes in the Get Back documentary series, Giles Martin quickly realized that this could be a way to 'decode' the 4-track tapes and separate the instruments from each other to create what was previously impossible. With the help and dedication of time, computer resources, and a very clever and committed team, the 4 tracks gradually became multitracks, so now we are able to release this truly stunning, exciting, and groundbreaking REMIX of Revolver. Finally, we are proud and happy to present to you the mono Album in stereo!

Additionally, there is the usual high-quality, well-researched, and comprehensive 100-page book that describes the history of the Album's recording, track by track, as well as the band's situation in 1966 and the response and later life of the Album. With a personal introduction by Paul McCartney and one by Giles Martin, this book also offers an incredible personal journey into Revolver and beyond by Questlove, the modern music genius. Along with many photos, handwritten lyrics, and tape boxes, we are pleased to include pages from Klaus Voormann's graphic novel - a friend of the band since Hamburg, bassist, and graphic artist - in which he tells the story of how he was asked to create the Grammy-winning cover and how he created another premiere for this Album - the unique cover art created specifically for an Album.