We use cookies and other technologies on our website, collectively referred to as βcookies". These technologies allow us to collect information about users, their behaviour, and their devices. Some cookies are placed by us, while others come from our partners. We and our partners use cookies to ensure the reliability and security of our website, enhance and personalize your shopping experience, conduct analysis, and for marketing purposes (e.g., personalised ads) on our website, on social media, and on third-party websites. If data is transferred to the USA, it is only shared with partners who are subject to an adequacy decision under current EU law and are appropriately certified. By clicking on βAgree", you consent to the use of cookies by us and our partners. Alternatively, you may refuse consent by clicking on βDecline allβ - in this case, only necessary cookies will be used. You can also adjust your individual preferences by clicking on βPreferences". You have the right to revoke or modify your consent at any time in Cookie Settings. For more information on data protection, please visit Privacy Policy.
by Björn Thorsten Jaschinski
(24.07.2009)
Many Norwegian bands carry a big patriotic flag, but 1349 have chosen their name because in that year, a huge pestilence epidemic ended the "golden age" in Norway. The associations coming with that are as ugly as the bandβs Black Metal on their first three albums. The vague, indifferent sound of "Revelations of the black flame" raises some questions, though, even more than the agonising slow opener "Invocation". After "Serpentine sibilance", the sound is a bit clearer, but the tempo is still unusually sluggish, and we get a bit less brutal recitative, and some irritating side noises. As Voivod, Incubator, and, among others, their visionary compatriots In The Wods... have already done, 1349 interpret a psychedelic, disturbing early Pink Floyd track, "Set the controls for the heart of the sun" which is the key to an approach to this opus. On this Ambient version, producer Tomas Gabriel Fischer (ex-Hellhammer / Celtic Frost) played the guitar, so it has a touch of Apollyons Son.