We use cookies and other technologies on our website, collectively referred to as βcookies". These technologies allow us to collect information about users, their behaviour, and their devices. Some cookies are placed by us, while others come from our partners. We and our partners use cookies to ensure the reliability and security of our website, enhance and personalize your shopping experience, conduct analysis, and for marketing purposes (e.g., personalised ads) on our website, on social media, and on third-party websites. If data is transferred to the USA, it is only shared with partners who are subject to an adequacy decision under current EU law and are appropriately certified. By clicking on βAgree", you consent to the use of cookies by us and our partners. Alternatively, you may refuse consent by clicking on βDecline allβ - in this case, only necessary cookies will be used. You can also adjust your individual preferences by clicking on βPreferences". You have the right to revoke or modify your consent at any time in Cookie Settings. For more information on data protection, please visit Privacy Policy.
A groundbreaking work of art, "After" is Progressive Avant-garde Dark Metal of the highest calibre. No wonder that Ihsahn plays an 8-stringed guitar on the album!
by Markus Eck
(19.02.2010)
The feat to create a genuine piece of art like this new exceptional album "After" is only achieved by the sages and philosophers of the Metal genre. It is a well-known fact that Ihsahn is a valued member in the aforementioned group - the master composed and elaborated the basic song components on eight-string guitars. The result: extremely entertaining avantgarde progressive Dark Metal. The famous Emperor front man is competently supported by drummer Asgeir Mickelson and bassist Lars K. Norberg (both: Spiral Architect). But the intense atmosphere of this exciting album is considerably influenced by saxophonist Jorgen Munkeby (otherwise playing in the Black Metal outfit Shining). His instrumental performance accentuates certain parts of the songs, but can also be seen as a kind of extra cream on the cake. There are some playful similarities to the new Opeth stuff, and the overall atmosphere is intoxicating. Brilliant.
